Judges

Victoria Lobos

Barcelona, Spain

How did you get into the beer industry? Why does beer matter to you?

I entered the beer industry through fermentation science. With a background in microbiology and agronomy, I began working with yeasts not just as production tools, but as living systems capable of shaping identity, complexity, and innovation in beverages. Beer became my primary platform because it sits at the intersection of science, culture, and sensory experience. It allows for controlled experimentation while remaining deeply connected to tradition and place. Through my work at Patagonian Yeast and my role as an international judge, I have focused on understanding fermentation at a technical level (microbial behavior, contamination control, and sensory precision) while also translating that knowledge into practical improvements for producers. Beer matters to me because it is a vehicle for continuous improvement. Every batch is an opportunity to measure, refine, and elevate quality. I believe that without rigorous sensory and technical evaluation, quality remains subjective. My goal is to contribute to a more precise, competitive, and innovative industry by integrating science into decision-making and helping producers better understand the full potential of their fermentations.

Why do you judge at the World Beer Cup? What does judging at the World Beer Cup mean to you?

I judge at the World Beer Cup to contribute to a global benchmark of technical excellence and to engage with the highest level of sensory evaluation in the industry. It is a unique environment where rigor, calibration, and collective expertise converge to define quality across diverse beer styles and cultural interpretations. For me, judging is not only about awarding medals; it is a structured process of analysis. It requires precision in identifying attributes, defects, and balance, while maintaining consistency within an international panel. The World Beer Cup represents one of the most demanding calibration spaces, where feedback must be both accurate and meaningful for producers operating at different scales and contexts. Judging at this level also allows me to continuously refine my own sensory acuity and technical criteria. It challenges assumptions, exposes me to emerging trends and innovations, and reinforces the importance of standardized evaluation frameworks. Ultimately, it means being part of a system that drives improvement. The feedback generated in this competition has the potential to influence production decisions, elevate quality standards, and support the evolution of the global beer industry through evidence-based sensory assessment.

What else would you like the world to know?

I would like the world to understand that the future of beer lies in precision, not only creativity. Innovation is meaningful when it is measurable, reproducible, and grounded in a deep understanding of fermentation and sensory science. Throughout my work, I have focused on bridging the gap between production and evaluation. Too often, sensory analysis is treated as subjective or secondary, when in reality it is a critical control point in the process. Without structured, professional evaluation, quality becomes perception rather than data. My approach integrates microbiology, process control, and advanced sensory methodologies to support producers in making informed decisions. I also believe strongly in the value of native and non-conventional microorganisms. Exploring local yeast and bacterial diversity opens new dimensions of identity and differentiation, while still requiring rigorous control and understanding to ensure consistency and safety. Beyond technical aspects, I see beer as a collaborative platform. The industry grows when knowledge is shared, when standards are elevated collectively, and when feedback is used constructively. My goal is to continue contributing to a more connected, scientifically driven, and globally competitive beer community, where excellence is defined not only by awards, but by continuous improvement and understanding.